A little knowledge…
… is a dangerous thing. Maybe this is what Andi and Bria were getting at when they asked if I thought too much craft info stuffed in my head was a bad thing<tm>.
I admit I was pretty bored with the workshop on Saturday as the nuts and bolts were gone over. It’s a good thing the personality of the speaker was engaging and funny. Also, I think Dana Belfry was highly amused by the little origami boxes I made out of Hershey’s Treasures wrappers during the talk.
In a way, I was appalled that the workshop was so nuts and bolts in its approach. Maybe I just assumed the audience for it should already have known the basics of having two of their characters speak to one another on the page? That doesn’t seem like that outlandish of an assumption.
On the other, maybe my expectations were just too high. Did I really expect the speaker to simply download her brain to ours? I don’t know, but I know there was a definite disconnect there. I don’t consider myself to be an expert on dialogue by any means, but the basic mechanics of it have been pretty obvious for a while now.
If you’re reading this and thinking to yourself, “Gah! What a snobbish bore!” you can relax, because I’m definitely running into my share of challenges in the Deep Editing class, Bria talked me into taking with her. I’ll be the first to admit that editing is brand spanking new to me. You mean there’s more to it than fiddling with a word choice here and there? Cool.
Anyway, I’m learning technical terms for all sorts of rhetorical devices I knew existed, but never played with on a conscious level. I can hear my DH yawning right about now. Yes, dear. Old hat for you, but I was taking econ and business classes instead.
I think my favorite quote from Saturday’s workshop will always be, “Do it well, but don’t do it often!” That seems to apply to these rhetorical devices. I think the do it well part means you have to make it blend in with the writing around it too. It can’t just stick out like a sore thumb on the page. Otherwise, it just looks a bit purple.
I do feel I am learning from the class (yes I just signed up yesterday), but the EDITS system and taking a highlighter and painting the different sections (dialogue, description, internalization, emotion, and blocking) different colors really lets me see why I like and dislike various sections. Clumps are bad. A nice smattering of everything reads much better.
In other news, I’m over 10k on the Flower Queen’s Daughter story!
We’re taking off for LA this weekend. I’m going to attend a LARA workshop on dialogue with Julia Quinn on Saturday with 10 other divas and 50 other people. DH is going to take the kids to Universal Studios while I’m there. And Sunday we’ve been invited to a BBQ at a friend’s house, so I’ll be very scarce.


